For the 20th straight year we are celebrating Halloween here on The Bovine Ska and Rocksteady the best way we know how…By playing some of the creepiest and spookiest reggae and ska ever produced in Jamaica. Mixed into our witches brew, we tossed in scary sounds and clips from B and even C level horror films of the past. Bizarre and crafty cuts from Lee Scratch Perry, King Horror, The Crystalites, I-Roy, and many others will be thrown into the cauldron. Check it out and Happy Reggae Halloween everyone!
Hello Bovine Ska and Rocksteady listeners,
With heavy hearts we are sad to report that pianist and vocalist Gladstone “Gladdy” Anderson has passed away.
As a studio musician and an arranger, Gladdy worked for many labels and many house bands, making this memorial show probably one of the most difficult to put together, but one that we are proud to present to honor the fantastic work of Gladdy Anderson. Born in Jones Town in 1934, Gladstone “Gladdy” Anderson had musical influences quite early in his life. Though his father was a railway engineer, his uncle was Aubrey Adams, pianist for groups such as Clue J and the Blues Blasters and band leader for the Courtleigh Manor Hotel house band. Adams taught Gladdy how to play piano as a boy. As Gladdy continued to practice as a teenager, Adams took a trip to Panama, and when he returned, he introduced Gladdy to Duke Reid, where Gladdy first focused on playing rhythm parts on piano, occasionally getting a chance to play with his uncle, who performed the primary piano, organ, and keyboard parts. At Duke Reid’s Gladdy would also rise in the ranks, becoming one of the first people hopeful artists would audition for. Given Gladdy’s early history with Duke Reid, wekickoff off this memorial spotlight on Gladdy Anderson with three tracks from the Duke Reid All Stars; tracks where Gladdy would play with his uncle Aubrey Adams.
The sheer number of tracks that Gladdy played on is staggering as was the many different musicians in bands that he recorded with throughout his legendary career.
- Duke Reid All Stars
- Drumbago, Aubrey Adams, Cluett Johnson (bass), Ernest Ranglin (guitar), Rico trombone, Rolando Alphonso (saxophone), Theo Beckford (piano)
- Buster All Stars
- Drumbago, Cecil Bustamente Campbell, Dennis “Ska” Campbell, Ernest Ranglin, Gladstone Anderson, Jah Jerry Haynes, Karl Bryan, Lloyd Knibbs, Oswald Brooks, Raymond Harper, Rico Rodriguez, Val Bennett
- The Skatalites – Gladdy would be on the piano parts for the Skatalites, replacing Jackie Mittoo because Duke Reid preferred Gladdy
- Tommy McCook and the Supersonics
- initial lineup: Johnny Moore and Lloyd Knibb, the group also included trombonist Danny Simpson. Herman Marquis on sax, pianist Gladstone Anderson, Winston Wright on organ, Clifton ‘Jackie’ Jackson on bass and either George Tucker or Ranny ‘Bop’ Williams on guitar
- Lynn Taitt and the Jets
Gladdy with Hux Brown (guitar), Bryan Atkinson, Joe Isaacs, Deadly Headly, and Carlton Samuels
Gladdy was uniquely prolific, and given his reputation and constant work beginning in the 50s, he was present at some key points in the evolution of Jamaican music. When in the studio with Lynn Taitt, who Gladdy helped as a translator and band leader because many musicians had difficulty understanding Lynn because of his Trinidadian accent, Gladdy was in the band that would record the first rocksteady track, Hopeton Lewis’ “Take It Easy.” In fact, it is believed that Gladdy may have been the person to name the rocksteady genre, given that he described the recording of “Take It Easy” as “rock steady.”
With the tune, “Hold Them” -Roy Shirley had this melody and brought it over to Gladdy and Joe Gibbs. During the rehearsal, he brought Slim Smith and Ken Boothe to perform backing vocals, but after rehearsing the song, Gladdy suggested that Roy perform the song as a soloist because he better understood the rocksteady rhythm at the time.
A gifted vocalist, the second hour of our tribute began with tunes from The Seraphines, which was the name Stranger Cole and Gladdy came up with when they sang fro Sonia Pottinger and her Gayfeet label. The duo would also record hits under their own names like “Just Like A River” and “Seeing Is Knowing” but due to Mixcloud’s policy that limits the amount of tracks that one program can play from one artist, we limited his vocal spotlight to the Seraphines cuts. We welcome you to find these tracks yourself as they are quite impressive.
During this period that saw Gladdy arise as a vocalist, he of course continued to play on a huge amount of tunes during the rocksteady and reggae eras.
- The Crystalites
- Barry Biggs, Bongo Herman, Bongo Les, Gladstone Anderson, Jackie Jackson (3), Karl Bryan, Larry McDonald, Lynford Brown, Paul Douglas, Wallace Wilson (2), Winston Wright
- Clancy Eccles’ Dynamites, the backing band for Eccles’ productions
- Gladdy Anderson (piano) Hux Brown (lead guitar), Jackie Jackson (bass), Winston Grennon (drums), Neville Hinds (organ) and Wallace Wilson (rhythm guitar), while others who recorded with the group included Hugh Malcolm (drums) and Winston Wright (organ)
- Harry J All Stars
- Winston Wright (organ, keyboard), Val Bennett (saxophone), Aston “Family Man” Barrett (bass), Boris Gardiner (bass), Jackie Jackson (bass), Carlton Barrett (drums)
- Mudie’s All Stars
- known as Gladdy’s All Stars occasionally for tracks led by Gladdy
- Joe Gibbs and the Professionals
1. Sly Dunbar, Bobby Ellis, George Fulwood, Vin Gordon, Tommy McCook, Lloyd Parks, Robbie Shakespeare, Earl Chinna Smith, and Ruddy ThomasR.I.P. Gladdy. Thank you for all that you did to drive this music we love forward.
Happy December!!! Please help us and spread the word and repost if you liked the show! Repost anywhere you see fit.
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Lily and Generoso